TOURIST PROMO A WORRY, SAYS CATIA. Report by ERWIN CHLANDA.
CATIA says comments from top international incentive travel
managers, that promoters of Central Australia ought to lift their game,
should be taken very seriously.
Craig Catchlove, manager of the local lobby group, says incentive
travel has "certainly been identified for a very long time as very
strong market we should be working for.
"If that hasn't been happening, or not happening adequately, it is a
major worry."
This follows a lame response to the criticism from Maree Tetlow, the
new manager of the NT Tourist Commission, which has an annual budget of
around $30m: "Realistically, the Northern Territory will never be able
to compete with some of the major cities on the east coast for major
meetings and conferences.
"But the unique experiences that we offer mean that we can look forward
to groups Ôadding on' a few days in Central Australia."
Ms Tetlow could give no details of incentive travel to The Centre in
the past 10 years, nor exactly what the commission's agents and offices
abroad had done to promote that branch of the industry.
Mr Catchlove says it is a mistake to throw together convention and
incentive travel: "They are two different beasts," he says.
Two participants in last week's Dreamtime 2002, attended by more than
100 international agents for incentive travel, praised The Centre's
attractions but said they were little known.
"If you rely on the Australian Tourist Commission alone, the American
market particularly is not going to think beyond that Sydney
experience, maybe Cairns on the outside," said Jim Adams, of
Performance Strategies in Indianapolis, Indiana.
"I'd strategically place people in foreign markets who would work for
me and my locale."
Said Alan Rogers, of the UK based Red Carpet Group: "Central Australia
is very rarely promoted in the UK, and I think that's something you
need to be aware of."
He says the focus is on Australia's main cities "and Central Australia
really doesn't get a look-in."
Mr Catchlove says: "We need to hit the distribution chain.
"If this hasn't been happening it would really need to be rectified.
"Promotion has to be very targeted."
Says Ms Tetlow: "It was great to see so many of our international
business tourism buyers and media enjoy their experience in Central
Australia.
"It is very important to promote our regions, both as leisure and
business tourism destinations, within the international source markets.
"That is why we have both NTTC offices and public relations officers in
each of our major markets, doing just that.
"Events such as Dreamtime are also very important ways of exposing our
products to the key people in business tourism.
"That's why the NTTC worked hard to secure this event for Central
Australia, and the NT Government committed more than $150,000 toward
assuring its success."
A QUEST TO UNRAVEL STREHLOW'S MYSTERY. Report by ERWIN CHLANDA.
Why does Alice Springs have a Strehlow Research Centre? Because the
Country Liberal Party goofed?That's what it looks like, although no-one
has made a full and frank admission to date.
The 1976 Land Rights Act (NT) had just come into force and life as we
knew it in Paul "Porky" Everingham's lucky (and you need to say the
next word very slowly) Teeerrietooorrreee was about to come to an end.
His and later CLP governments saw themselves called to arms, to stem
the black tide, unleashed on us by Canberra.
NT governments were beginning to spend a fortune of taxpayers' money on
litigation, opposing land claims left, right and centre, getting
absolutely nowhere with all this, yet gaining spectacular support from
the frightened urban electorates, and the cattle barons "out bush".
Antagonism between black and white would play a large part in keeping
the CLP in power for an astonishing 26 years.
In the southern NT, a million or so square kilometres, the lawyers and
anthropologists of the Central Land Council, recruited from Ð shock
horror Ð the left wing hotbeds of universities Down South, were
having an easy time convincing a succession of land commissioners that
vast tracts, ultimately half the land mass, should be handed back to
Aborigines.
It was time for unusual measures.
Standing out from the untrustworthy academia was Theodore Strehlow, of
German stock but born and bred in the Territory, on the Hermannsburg
Lutheran Mission, and after his death, the vast body of his work, which
was in the hands of his widow Kathleen.
The Lutheran Church itself wasn't playing ball with land rights: in
time it would hand over the mission's land to traditional owners, under
the Federal law, but in accordance with its own assessments of
traditional attachments.
In a lifetime working principally with Arrernte people Ted Strehlow had
amassed a collection of sacred objects, including tjuringas, carved
stones or pieces of wood, handed down from generation to generation as
the keys to secret knowledge and the control over land: their misuse
carried the death penalty.
More importantly, Strehlow had compiled meticulous family trees of
Arrernte clans, and written down the "songs" which are the "land
titles" in Aboriginal society.
There were comprehensive lists of sacred sites.
It was the stuff at the core of land rights claims.
Could it be used to prove wrong at least some of the assertions put
before the land commissioners?
Could it be a spanner in the works of land rights?
Strehlow has become a grumpy old man, alienated from his academic
peers, distrustful of younger Arrernte people, steadfastly opposing
calls from black activists for the return of the secret objects, and
passionately supported by a much younger and exceedingly ambitious
second wife, Kathleen.
She carries on the fight after Ted's death in Adelaide in 1978, on the
day the Strehlow Research Foundation is launched, with the help of
Western Mining, which had added social activism to its extracurricular
activities.
Kathleen was even suspected of planning to ship the objects off shore,
in contravention of Federal heritage laws.
Cut to 1991: the opening of the Strehlow (not Arrernte) Research Centre
in Alice Springs.
The NT Government has spent $3.2m (ATSIC went halves) on a building in
the Araluen grounds and passed an Act requiring the protection of the
great man's good name, "to honour the memory of the later Professor T.
G. H. Strehlow".
(The centre now has four staff and costs $370,000 a year to run.)
The main hall features a photographic display of the anthropologist and
perspex cut-outs of anonymous Aborigines.
Kathleen, in the opening crowd, is the first director of the Strehlow
Research Centre.
She is at pains to keep her distance from the Strehlow children from
Ted's first marriage, to Bertha, who'd shared his arduous early days in
the bush.
The vault in the belly of the building will soon hold the controversial
sacred objects, bought by the NT Government for an undisclosed sum, and
Ted's writings Ð later to be explored, under the watchful eye and
full vetting rights of the centre, by author Barry Hill, for his 818
page book Broken Song launched last week after 10 years of sometimes
frustrating research.
John Morton, a speaker at last week's Strehlow Conference in Alice
Springs, takes an unblinkered view of the great man.
He thinks history will need to make up its own mind about any
recruitment of Strehlow into the anti land rights campaign.
But if that's what did take place it didn't work Ð though not for
want of trying.
Morton says Western Mining took a direct interest in the Strehlow
Foundation's activities, together with figures of the right in South
Australian politics, and they liaised with at least one Aborigine with
mining connections.
"[The foundation] allowed, with Kathy's consent, to copy all the
diaries, because Western Mining basically swallowed the mythology that
Strehlow's material was somehow going to be the key to Aboriginal land
rights, not just in Central Australia, but everywhere."
But they drew a blank with the material recorded up to 50 years
previously. It became clear it was good background for the situation
current at the time, but had no direct relevance to it.
"Those records, while they were important, were of limited use," says
Morton.
"That was the first main indication that somehow this stuff has been
politically compromised.
"The NT Government showed a lively interest but of course it had a
history of fighting land rights claims.
"I don't know of any direct evidence that says they acquired the
collection in order to be better informed about land rights issues.
"When they did buy it, they did with it what was right and proper.
"They originally stored it in the NT Museum in Darwin."
However, with an Act of Parliament they created "a special shrine not
so much to Arrernte people but to Strehlow".
On the other hand the NT Government may not have had a choice: "In
order to get that stuff it probably had to make that agreement" with
Kathleen Strehlow.
This certainly further poisoned relationships between them and the
Central Land Council Ð "until recently the only effective political
opposition to the Government in this part of the world".
Says Morton: "The Strehlow Centre is an NT Government organisation.
"This place has never been trusted by the CLC until recently."
At the time of his death Ted Strehlow had alienated himself from the
scientific community, displaying a paranoid possessiveness of his
collection.
Other anthropologists had also been collectors but had disposed of
their collections.
Baldwin Spencer's collection was donated mainly to what is now the
Museum Victoria.
Donald Thompson's was housed at the University of Melbourne and is now
also in the Melbourne Museum.
Ronald Berndt's huge collection is at the University of Western
Australia.
But, says Morton, "Strehlow was so alienated from all these networks
that he tried to go it alone, with second wife Kathy's assistance".
Significantly Kathleen was not present at last week's gathering.
Instead of placing his work with public institutions, universities,
museums or, for example, the Institute for Aboriginal and Torres Strait
Islander Studies, Strehlow "would never have let his stuff be submerged
in any of these places," says Morton.
It remains a mystery why the NT Government would reward a man so
unwilling to play ball, by passing a law "protect" his memory.
"It's a very funny thing to have embodied in the constitution of a
public research institution."
However, after initial restrictions, the Strehlow Centre Ð under
the directorship of Brett Galt-Smith Ð is now becoming more
accessible and has even allowed "a degree of public criticism," says
Morton.
And about half of the building has been turned into a very well
presented Museum of Central Australia.
"But it would also be fair to say Ð and I'm not quite sure whether
this is just the culture of the organisation or whether it's a direct
result of the Act of Parliament, that the institution is still a little
bit defensive about Strehlow.
"I think what Brett Galt-Smith has done is terrific, opening it up to
Aboriginal and non-Aboriginal access."
Flying in the face of current political correctness is that the keeper
of the objects is board member Gary Stoll, Lutheran lay preacher, long
term Central Australian Ð and a white man.
Morton says the reasons are the Aboriginal "rules about not dealing
with other people's stuff".
That means Stoll, as a "trusted mediator" and fluent Arrernte speaker,
can have access to all the objects whereas Aboriginal people may see
only those belonging to them.
Stoll's role, and that of the predominantly white board, stick in the
craw of the "many whites in the town who've ridden the wave of the self
determination policy.
"The kneejerk reaction of people dedicated to that sort of program is
to say, you must have Aboriginal representation."
Significantly, it's not a worry to the owners of the objects who, says
Galt-Smith, visit the Centre at an average of three to four a week,
seeking information about their families, their stories, as entrusted
to Strehlow by their ancestors.
Morton says Strehlow took the objects "often enough under voluntary
agreements between himself and the original custodians.
"It's also true that they did hand them over to him with the
expectation that he would look after them for posterity.
"Accusations that he stole the stuff are pretty wild.
"The other side of this is whether he didn't betray the trust of that
keeping role, the way he dealt with access later on, particularly by
Aboriginal people who he thought had no rights in the collection any
more."
Morton is also on record as describing Strehlow as an "avaricious
collector, casting the net widely".
The"handing back" can be fraught with difficulty as the objects signify
"authority over country", according to Morton.
He says it's occasionally hard to "make decisions about whom, if
anybody, you're going to give the things to, because there quite often
are counter claims."
On the other hand there is Ð among some Aboriginal people Ð a
"great deal of mistrust" of the Centre.
"It's a magically dangerous place, just because of what's here, and
because of Strehlow's reputation.
"Those objects are magically dangerous.
"People fear coming here.
"Strehlow's possession of them turned him, to an extent, into a man who
embodied these magical powers" Ð and now these are transferred to
the centre.
"There are a lot of women who won't come near this place."
The centre needs to "get the word out there that this is an open forum
that people can come to safely and people can get information without
treading on other people's toes." And this, to a large extent, was what
last week's conference was all about.
STREHLOW: A 'ROUGH AND PASSIONATE' JOURNEY THROUGH THE CENTRE. KIERAN FINNANE talks with biographer BARRY HILL.
"Ted Strehlow has got the biographer he deserves," said Professor
John Mulvaney, launching Barry Hill's Broken Song at last week's
Strehlow Conference in Alice Springs.Hill has "emphasised the poetic,
the dramatic, the songs, not so much the anthropology", he said.
Is this the right assessment of Strehlow, the Hermannsburg-born son of
Lutheran missionaries, controversial collector and translator of Aranda
culture, or is it due more to Hill's own literary interest?
Hill is a nationally recognised poet, and poetry editor of The
Australian. His most recent collection, The Inland Sea, was published
last year. He is also the author of The Rock, Travelling to Uluru. This
book brings his 12 years' work out of The Centre to a close.
Prof Mulvaney said Strehlow's peers judged him "as a linguist and as a
poet, rather than as a social anthropologist", yet the profile of the
Strehlow Research Centre (SRC) and the receding controversy over
Strehlow's collection of sacred objects has emphasised in the popular
mind his anthropological role.
Prof Mulvaney quoted and concurred with Hill on Strehlow's achievement:
"With Spencer and Gillen we had a picture drawn for us of [the Aranda
as] gesticulating ethnographic objects.
"Thanks to Strehlow, the same people have been fully rendered as highly
cognisant celebratory subjects, poets and artists of their life, makers
of their culture, rather than doomed aspects of nature."
For Hill, it was the poet in Strehlow and his deep personal involvement
in the culture that enabled him to respond to the magnificence of
Aranda songs, and leave to the world, in Songs of Central Australia
(long out of print), a great English translation of this "treasure
trove of poetry".
Says Hill: "I've tried to show the wholeness of his unavoidable
personal enmeshment in Aranda culture, in flesh and blood, heart and
head and spirit."Hill's project initially was not so much a biography
of Strehlow, but to essay on Songs of Central Australia: "to ask not so
much who wrote it, but how did this book come about."That meant asking
"what is Aboriginal poetry, what is its place in the culture, what was
the business of translation in Songs, how did this English poetry
arrive from the Aranda?".It became a biography by default.Once it was
possible to read Strehlow's diaries, after protracted negotiation with
the SRC, "I had no choice but to bite the bullet".
INVESTIGATION"I had gone far enough down the track of biographical
investigation, I realised I had to tell Strehlow's life story
reasonably fully in order to get to my main project, which was still
the business of poetry and translation."
Along the way, Hill takes the reader on Strehlow's "long, rich journey,
his rough and passionate journey Ð physically, mentally,
emotionally, spiritually".
There is plenty of gritty narrative of the well-known and less
well-known features of Strehlow's life: as a Patrol Officer of Central
Australia when economic and sexual exploitation was rife; as a public
intellectual with things to say about religious rights, assimilation,
Max Stuart's conviction, the NT Land Rights Act, the "Aboriginal
industry", customary law and Aboriginal futures; and finally Ð
ironically and tragically for this "friend of the Aborigine" Ð as a
betrayer of secrets.
So, does the beautiful title of the biography evoke the man, his work
or the Aranda culture that was his subject?
Hill: "The title sprung into me when I heard Neil Murray sing his
ÔBroken Song', one of the great songs written about this area.
"It took me back to passages I had already written: Strehlow is sitting
up at Barrow Creek in 1932 with an old man, who is trying to sing a
song to him and he can only find fragments, and the man says to him
tearfully, ÔThis song is broken'.
"The title works both ways. Strehlow's field work showed how much the
songs were breaking. He was meeting men all the time in the
Ôthirties, getting songs from them, being shown their tjuringas,
being taken to their secret places."As often as not the men were giving
him their tjuringas because they thought their culture was broken Ð
some he also bought or solicited.
"And at the same time Strehlow was invested in the songs being broken,
because that allowed him to say he had the collection of them, that
helped make his work even more unique than it was.
"He was quite possessed about being the possessor of songs."
And ultimately it was that, at the end of his life, that broke him. The
title works in that way too.But also, says Hill, "there's a broken song
in Strehlow".
"His song was one about the yearning for consolation" which he
expressed most fully in his memoir, The Journey to Horseshoe Bend.
Hill's is a thematic biography, moving emotionally as much as
argumentatively.
"My first and most powerful thought was here was a man who lived in two
cultures, during the day translating from Aranda into English, entering
the world of the black man, like Shakespeare's Caliban; and by night
É doing Luther's work, and his father's, translating the New
Testament into Aranda.
"He was a Gemini and came from a place of [Aranda] Twins' Dreaming,
there was an enormous split in him, a division that he worked out of.
"This was a life spent in translation, both ways Ð that's the heart
of the book."I'm trying to create the right stage for [Strehlow's work]
to be discussed which is the history, the field of endeavour of
translation of poetry and scripture.
"It is always the case that there are three components in translation:
the host language, the target language and the activity of the
translator, with their attitudes towards the original language.
"I've made the simple move of placing Strehlow in that arena, putting
him on a universal canvas as a translator at work and try to take the
reader on his long, rich journey towards doing that."
DESERT PARK - THE BRAINY PART. PART TWO of a series by KIERAN FINNANE.
Establishing a tourism facility at the Desert Park has good
spin-offs for the environment, say its managers.
The Territory Government recognises this in its funding of the park's
non-commercial activities, such as the creation and maintenance of a
botanic gardens (which also have a commercial spin off, as tourists
like to visit them).
In the last budget the government paid $950,000 for the upkeep of the
gardens Ð out of a total $4.32m for the park.
Plant propagation material is collected from the wild in order to
establish and maintain the botanic gardens (which seek to replicate the
main habitats of the entire region Ð from sandhills to
woodlands).At the same time specimens are "vouchered" for the herbarium
which has existed in Central Australia since 1954. The presence of the
park has been a plus for the herbarium, adding 16 contributors, where
there were three before.
A herbarium is basically a large collection of pressed plant
material.Says Desert Park manager Graham Phelps: "It's a really
important resource for understanding what species you have in an area,
providing the base material for species identification.COLLECT"The
information is collected in such a way that you start building up a
picture of what plants grow where, what communities of plants grow
together, how the botanical component of the environment works."The
base resource within a herbarium are properly collected plant
specimens: you know exactly where they come from, you have good habitat
description, good descriptions of the plant, properly recorded pressed
specimens of leaf, flower and fruit.
"When the specimen goes into the collection it is said to be
Ôvouchered'."
How can that knowledge be applied outside of the park?Says Mr Phelps:
"Without it you have no way of knowing whether the environment is
changing, what effect weeds, feral animals, fire, drought are having,
what species are endangered, what we need to look after, what we don't
need to look after.
"You simply can't advance the knowledge of how we look after Central
Australia without that base grade knowledge, the nuts and bolts which
enable you to build the picture."One way that knowledge is being
applied is in the rehabilitation of landscapes altered, for example, by
mining.
Normandy Mining is funding research at the park looking at seed stores.
How long does particular seed live?
When you move top soil from a mine site and later put it back, what
species are likely to have survived in that soil?Which ones haven't and
how are you going to propagate them?
What plants will grow in the salty conditions created by tailings
dams?"That fits in very well with our ability as a botanic gardens to
grow the plants of this region," says Mr Phelps."We obviously need to
advance our own knowledge and the Normandy funding has enabled us to
employ two honours students and soon we'll be starting a PhD student
looking at seed biology."
As desired, the park has also stimulated interest by individual
gardeners to grow plants native to the region.
This has led to establishing a wholesale nursery, run on a commercial
basis, to supply the local nursery industry.At present, demand is
outstripping production, says botanical curator, Mark Richardson.
People are especially keen to grow wildflowers, which are on beautiful
display at the park even during this dry winter.
But isn't the park about getting people to understand the environment
as it is?
Yes, and also how it can be as long as we look after it, says Mr
Richardson."It's important for visitors who are only here for a short
time to realise what's under the ground as well; that in dry conditions
it might look like a patch of dirt but when you add a little water, it
blooms.
"This is the understanding we need to counter the kind of attitude that
says we need a nuclear waste dump, why not put it in the desert?"
How is botanical science at the park contributing to broadscale land
management? Are we in danger of seeing a pristine example of the desert
environment preserved at the park while, around Alice Springs at least,
land is ravaged by fire and buffel grass?
Mr Richardson says, with the removal of fire threat and weeds, the
park, and in particular study plots within it, provide a baseline
against which changes outside the park can be measured.
He says there is a danger of looking at these changes in 25 years'
time, and seeing that the worst has come to pass, as expected.
"That's one of the problems with science, that information needs to be
collected over a period of time.
"But in any case, what to do about land management on a broad scale in
Central Australia is a much bigger question than scientists at the park
alone are able to deal with."NEXT: Looking after our furry frinds.
SELF-RELIANT ALICE RIDES CAR, TOURISM BOOM, SAYS MOTOR TRADER.
The car market in Alice Springs is up about five per cent in the
last 12 months as the local economy is benefiting from strong tourism
numbers, a string of new business ventures, high cattle prices coupled
with a good season, and low interest rates.
This is the view of Peter Kittle, head of the dealership that has
around 80 per cent of the region's car trade, and which has just been
crowned Toyota's Northern Territory Dealer of the Year as well as
winning for the fifth year in a row Toyota's top prize, the President's
Award..
"The town is buoyant," he says, "a lot better than Darwin.
"If you talk to people from Darwin you think the world is about to end.
"They've been relying on government money for a long time and they've
been getting the bulk of it and probably still get the bulk of it.
"We have been missing out for the last 10 years.
"But at the end of the day I don't think that's been a bad thing
because the economy of Alice Springs is more self reliant.
"There are a lot of good business ventures in Alice Springs, a lot of
new things to come.
"Obviously in our industry low interest rates are a big help, allowing
us to stock a lot more vehicles.
"And it makes it easier for the buyers.
"Go back the last 12 months É it's the cheapest a car has ever
been in Australia," says Mr Kittle.
And people in Alice are even better off because their average wage is
higher than the national benchmark.
Mr Kittle says much of the five per cent increase is due to demand for
"soft" 4WDs, "but that is on the back of two previous years where the
market actually dropped off."
Tourism has provided "a huge year from our point of view.
"There have been a lot more drive-through tourists with the Year of the
Outback, in campervans, caravans and 4WDs.
"It usually starts at Easter and goes to the end of July.
"This year it didn't start until a couple of weeks after Easter but
they're still here now.
"There have been a lot of main events in town, the Last Camel Train,
for example.
"People travelled up in groups when that was on, and there were a lot
of Ôbash' events this year."Mr Kittle's dealership includes
Toyota Ð which has just launched the new Camry Ð and Holden.
Both companies will feature in flood of new releases before Christmas,
including also the new Falcon.
"It's never happened in Australia that three major manufacturers
released a key model all in a four to six week period."
Mr Kittle says the Camry is now 85 per cent made in Australia, making
it less susceptible to the fluctuations of the Australian dollar.
Colourless characters need not apply. COLUMN by STEVE FISHER.
Hundreds of books and articles have been published about Alice
Springs over the years. I have picked over a few of them recently
looking for words that might strike a chord. For example, the first
page of Songlines by Bruce Chatwin describes the town as "a scorching
grid of streets", which is a perfect description, at least in summer. A
few lines later Chatwin notices the number of people wearing long white
socks and climbing in and out of four-wheel drive vehicles. Well,
relief all around, at least the socks have gone.
And then there's A Town Like Alice. A French friend of mine wrote to me
recently saying that she knew nothing of Alice Springs except that
classic novel which described the squalor and the painful struggle of
people living in the desert. Now what was it called? she asked. And has
anything changed since it was written? I'll answer that later, I
thought, pouring another beer and turning up the air conditioning.
If heavy books make for heavy going (and Songlines did after a few
chapters) those people wanting a short cut to the essence of a place
can always fall back on the guidebooks and the websites. I have read
quite a few along with the midnight cocoa.
One book described Alice as "not so bad". Talk about damning the place
with faint praise. And one of the websites reviewed movies showing at
the Alice Springs Cinema, a helpful service for Hollywood-starved
international visitors. If I was an adventure cyclist, for example,
setting out across the most challenging expanse of arid land in the
world, I feel certain that I would want to know if there's a period
costume drama starring Hugh Grant or a dinosaur movie on the cinema
when I reach halfway. This is sad, but true.
Anyway, through all this pointless reading about internet cafes, where
to buy swags and what David Attenborough thinks about the Desert Park,
one phrase stays with me. It was the book that described Alice Springs
as being a perfect place to find "colourful bush characters".
I don't really know what a colourful bush character is. So I tend to
think of it as a person who is completely the opposite of me. I am a
colourless non-bush non-character. So I was interested to see if I
could find some people not like me.
The trouble is that people who are presented as being colourful often
disappoint when you get to know them. Take politicians, for example. A
colourful politician in the newspapers is one who amuses sleep-starved
journalists with schoolboy jibes at his pompous opponents.
Meet him in person and he somehow transforms into a small balding man
in an ill-fitting suit.
Or take Mickey Rourke, the actor. a once colourful character reduced to
a parody of himself. He used to cavort with Kim Basinger in stairwells
and find inventive ways to eat cling peaches. A few years later he's
got a face like an overripe tomato and is beating up the son of Julio
Iglesias in a trashy pop video. My family is large and supposedly full
of colourful personalities. To an impressionable child growing up, they
certainly seemed that way. But the colour paled once I reached a
certain age and started talking to my uncles and aunts as equals. It is
as though someone described by your dad as a "real family character"
only manages to be one for five minutes at a time before they return to
dreary auto-pilot.Anyway, seeing one of these uncles doing his
inebriated impression of Frank Sinatra and another waking up in his
backyard one summer afternoon surrounded by boxes of stolen toilet
paper delivered by a friend was more slapstick comedy than colour.
In the same way, meet a bush character buying a new head for his mop in
K-Mart or taking three bites to eat a frozen yohgurt outside Wendy's,
and all the colour seems to drain away. Colourful personalities
shouldn't be as mundane as the rest of us, should they?
I used to think that the characters in town hung out in Scotty's. Then
I walked past one day and couldn't find it anywhere.
And so I respectfully conclude that colourful characters never quite
measure up. Give me a bland nerd with thick-rimmed spectacles any day.
Either that or I need to look harder for the colourful bush characters
in Alice Springs.
Choking on coffee. COLUMN by GLENN MARSHALL.
I was swanning around a coffee shop in the mall the other day with
good friends Simon and Bradley, sipping long flat whites and commenting
derogatorily on the undesirables that were filing past.
Simon ruined our fun by saying, "Did you know that coffee crops cover
11 million hectares of tropical land where lush rainforests once
stood?". We agonized over this for a moment and glanced guiltily at our
steaming chalices.
Bradley saved the day by blurting out, "Hang on, we have
counter-balanced that because we attended the ALEC tree-planting day a
few months ago!". We celebrated this foresight by partaking heartily in
our addictive booty.Imagine our despair though when Bradley raised the
vexed issue of Ô"sweatshops in the fields" Ð agricultural
workers toiling in the hot sun of Latin America for only a dollar or
two per day to bring us our daily drink, being exposed to
cancer-causing chemicals in pesticides, fungicides and weedicides.
This brought on another bout of self-concerned reflection but I managed
to ease the tension by saying, "Fear not my friends, the chemicals do
not penetrate the outer pod of the bean and besides, any residue is
burned off in roasting".We moved on to more important topics like
sanitizing the streets of Alice Springs, when a trouble-making tourist
at the next table leaned over and said, "Did you know that global
coffee prices are at an all-time low at present, resulting in poverty
and hunger for thousands of small-holding growers and their families
but increased profits for giant multinational coffee processors who
haven't reduced their selling prices".
We stared daggers at him and were about to add him to our list of
undesirables, but then recalled that tourism brings significant income
to our town. "Thank you for that tidbit," we said in a terse but
amiable chorus and signaled our solidarity by pouring some more of that
sweet vital liquid down our throats.The ambience, however, was ruined
as I flicked through my Good Weekend magazine and alighted on a
horrible tale. The leader of a small coffee cooperative in Mexico had
been assassinated when he succeeded in raising the prices paid to local
farmers. He had been nobbled by the "coyotes" Ð a group of
predatory coffee traders resisting pro-active change through violence.
"But surely Pine Gap is hunting out the coyote terrorists who did
this," said Simon. None of us were quite sure, but we immediately set
about writing a letter-to-the-editor in support of Pine Gap, because we
knew that America was the biggest importer of coffee in the world and
they wouldn't let terrorists compromise their lifestyles.In one last
effort to appease our consciences we called over the waiter and
demanded he scour the labels of all the coffee tins in their kitchen.
He was a little slow in understanding our request and we lamented in
front of him that you couldn't get good hired help anymore. Finally he
was made to understand and reported that one of their fifteen brands
was certified organic and was grown in the shade of native forests by a
cooperative of Javanese peasants.
"I tried it once and it tasted a bit funny. I doubt I'll try it then,"
I said indignantly, rapidly mirrored by Bradley.Tiring of this
conversation, we headed off to drinks at Niara's house, trying to avoid
eye contact with people in the mall who were different from ourselves.
Alice put on show. COLUMN by ANN CLOKE.
Another superb week in the Alice!A few days ago, Les, Marie, David
and Heidi, Alicephiles who now live in Darwin, flew in to join the rest
of the Loy clan and dozens of friends to celebrate a very special
family occasion hosted at the golf club.
It was a super opportunity to catch up with people we hadn't seen for a
while Ð all here to help Michael celebrate, which he is still
doing, with Virginia in Greece somewhere.
To all the singers, great effort, but don't give up the day
jobsÉ.David and I joined hundreds of people at Midnight Oil's
concert on the lawns in front of Lasseter's Casino.
Peter Garrett made a point of welcoming all his friends from remote
communities he'd visited with the Warumpi band and then he acknowledged
the rest of the audienceÉ I thought that an advocate of social
change would practise anti-discriminatory tendencies.
Whilst some were at the concert, others were out enjoying the
hospitality of the JDSRF at Pine Gap. A few "Close Pine Gap" protesters
tried to interrupt proceedings but attendees tell me that it was, as
usual, a good night.
Whilst I people watched, tapping in time to a few familiar beats, I
wondered what happens to aging protesters and agitators Ð we're
told that old golfers never die, they simply lose their balls É
old protesters never fade, their messages simply become a bit too
tediousÉ
Who will ever forget the opening ceremony at the Sydney Olympics?
Midnight Oil, their shirts, the slogans, their rendition of "Beds are
Burning".
A huge thank you to management and the organising committee of
Lasseter's Casino, because, in spite of Peter Garrett's comments about
turning the job down when it was revealed that the gig was to be played
on the lawns adjacent to the casino (and Garrett doesn't support
gambling), it is quite obvious that money does talk.
As Anna Ð fund-raising with Alison, Precy and others for Greengates
and Drug Awareness Ð said in between selling chilli hot-dogs and
pies: "It's all about dollars and double standards."
David and I didn't stay for hours, just long enough Ð the music,
the messages, sounded better from a distance.Friends interstate
couldn't believe we had seen Jimmy Barnes in concert, also free of
charge, thanks to casino management.On Friday night I met friend
Caroline's Mum, June (here from Nhulunbuy) and her daughter, Jennifer,
from Brisbane.
We joined dozens of visitors up at Anzac Hill Ð one night off a
full moon and the countryside looked spectacular.
TOUTINGI drove them around the town Ð it's been 12 years since June
last visited, and Jenny, a nurse, hasn't touched the Centre for over
20!!
They had a great time sight-seeing around Alice Springs, enjoying
Henley on Todd, and caught the Ghan south yesterday: they both
commented on what they saw as positive changes in town.On the side of
one of the articulators carrying the Oils' sound and stage equipment
was written (by a company obviously purporting to be the best): "Why
us? Because your reputation is on show É"In Alice we're always
on show, more particularly during 2002 the Year of the Outback.
We need to ensure the positive trend continues into 2003É and
beyond.
AUSSIE RULES: AFTER 20 YEARS THE CUP RUNNETH OVER. Report by PAUL FITZSIMONS.
After a lapse of 20 years, West Football Club took an A Grade
Premiership flag home to Milner Road on Sunday, revelling in having won
the game fair and square.From the outset it was an atypical grand
final. Both teams seemed pensive and the expected fire that ignites
many a big game just didn't eventuate.The overwhelming force in the
opening quarter was the West half back line. They proved to be an
almost impenetrable force as Pioneer pushed into their forward line
early.
In those first minutes it was the drive of Wayne McCormack off the
eastern wing that provided the Eagles with scoring opportunities. Alas
they rushed a behind and then had gun goal sneak Trevor Dhu miss from a
seemingly elementary range.
In reply Westies took the ball through to their forward line and a kick
from the boot of Darryl Lowe saw big Justin Bentley take the ball
unopposed in the goal square. He goaled and ignited the West pack.
The Bloods' Curtis Haines, who would later prove to be an absolute
handful for the Eagles, then took possession at half forward and
goaled, followed by a further major from the veteran Jamie O'Keefe. In
response the Pioneers had a red headed Joel Campbell mark cleverly off
a Craig Turner disposal to register a goal.At the first break the game
was best described as tame, with both sides making the ball their
object. West held a lead 3.1 to 1.5, and probably Pioneer's inaccuracy
was the only notable difference between the sides.In the second quarter
it was again the dominance of the Bloods' half back line which counted.
They restricted the Eagles to a mere 2.4 while their forwards were able
to add 3.2 and lead by 12 points at the big break.For Pioneer both
goals came off the boot of Norm Hagan, while the West majors were all
due to an inspirational performance from Haines. It was late in the
term that the only card for the match was raised, when Lachlan Ross was
asked to take a rest for 10 minutes.
In the premiership third quarter it seemed the real game was about to
reveal itself. Nathan Peperrill, after missing a set shot, produced a
magical goal out of the pack in the scoreboard pocket and put the
Eagles in marching mode. But try as they may, inaccuracy cost the
reigning premiers plenty as they posted 4.4 for the quarter to Westies'
2.2. Steven Renehan, Trevor Dhu and Simon Djana each scored majors and
gave Pioneer a two point lead at three quarter time.In the West quarter
it was that man Haines and then Crispe who kept the fire alight.
Otherwise, late in the quarter, the Bloods looked as though they had
spent their energy and were destined for another limp home.
In the huddle at three quarter time Roy Arbon beseeched his players in
an intriguing fashion and had them seemingly on the road to sure
victory when they took their positions for the last term of footy for
six months.
West however had tasted defeat in the second semi final and literally
took the game by the throat.
Gun recruit Jarrad Berrington came into the game and had Jarrad Slater
(the recruit of the year) continue to make use of every opportunity in
the forward lines to set the likes of Haines up for more goals. In an
inspired effort the West team drove deep into their hearts and produced
a brand of football that was not going to be toppled. In the run home
they booted 5.3 to 3.1 with Haines capping the day off with a bag of
six goals.
The Everingham Medallist, Sean Cantwell, as well as providing dominance
in the ruck , kicked the sealer for West, a wobbly but accurate punt
through the middle. Then less than minutes later the same player was
deep in the West defensive zone taking a telling mark as the never say
die Eagles surged for a late score.
Cantwell's performance was well supported by Haines and Slater across
half forward. Labistida and Flattum were trump cards throughout and
Berrington proved a match winner in the run home.Pioneer had Joel
Campbell in fine form. Craig Turner made a welcome return. Once again
it was the fleet of younger players who kept the dream alive.
At the end of the day the honours went the way of Wests,13.8 (86) to
10.14 (74).The Bloods also took home a flag in the Under 18s, while
South celebrated in the Reserves.
LETTERS: Bastardised replica of parody.
Sir,- Whoo hoo ! "A mock Henley on Todd at Simpsons Gap" for Mr
Rogers and Mr Adams and Co., as reported in your front page story on
the Dreamtime tourism trade show.
How brilliantly apt for them and their ilk.
A bastardised replica of a parody.
Where do you start? What is tourism? At its best, visiting a place to
experience the beauty, culture and diversity of the world.
At its worst? Going some place you didn't really want to go, free of
charge because you were the best arselicker in the company, to, as Mr.
Adams said "just party, party, party".
Otherwise known as "incentive tourism".
Why ? "You can reap some very good benefits in a very short time," says
Mr Rogers.
But you've got to have a "Killer Resort", says Mr Adams.
"Some place that people would stay in and not even go into your town."
Yeah right, just what we need.
"We'd sell it as a kind of Retro Palm Springs." Er, why ? What happened
to the real one? Perhaps these replica retro killer resort places don't
have much of a shelf life? Perhaps someone has already done one?
But then, as Mr Rogers says, perhaps they are only interested in the
short term. Like the next years's bottom line.
Can I suggest, Mr Adams, that the kind of place you're thinking of is a
bit of a Hollywood vision ... and perhaps that's the ideal place for
it, Hollywood. Think what you'd save on the air fares. You wouldn't
even need passports.
But of course Mr Adams wants "some kind of cattle ranch deal, some kind
of barbeque, you know." Wow! Unique innovative stuff.
Mr Rogers "had yet to see a kangaroo, or Aborigines playing
didgeridoos" but "he'd have to make it happen to satisfy his clients".
"There's not many things in the world you can't organise."
Anybody here heard of sustainable tourism?
Would the people who conceived and authorised this stuff (presumably
with my money) please identify and justify themselves Ð publicly?
Charlie Carter
Owner / Operator, Trek Larapinta
Alice Springs
BIG BACKING FOR ALICE MOVIE. Report by KIERAN FINNANE.
Documentary-maker Steve McGregor, after two years at the national
film school, has just finished shooting his first television drama,
produced by CAAMA's Priscilla Collins and backed by SBS Independent and
the Australian Film Commission.
Wild Turkey tells a story of sibling rivalry, says McGregor.His
characters are initially two brothers. The older one, Shane, is
determined that the younger Robbie will not move out of his sphere.
A job offer in Coober Pedy represents Robbie's chance to leave town.
The brothers' farewell "piss-up" lands them in gaol and Shane makes his
move Ð involving a mysterious third man Ð to keep hold of
Robbie.McGregor is careful not to give much of the plot away.
He has cast Indigenous actors in all the roles Ð WA players John
Moore and Kelton Pell in the roles of Shane and the third man, the
lesser known Wayne Munro as Robbie. Yet McGregor says it is a
universal, rather than a specifically Indigenous story.
"It's about your Ôbrother boy', if you lose him, you lose part of
yourself. It's about your sense of security, power," says McGregor, an
older brother himself.
McGregor says he'll return to documentary-making early next year with a
project in the Top End about the influence of the wet season on family
life.
This has been pre-sold to the Canadian Broadcasting Commission and SBS
Independent.He's also looking forward to later making a half-hour drama
for the ABC.He's equally at home in both modes, he says.
A director on the move.
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