Australia’s top furniture designer in 2017: Alice’s Elliat Rich

p2458 Elliat Place full 350By KIERAN FINNANE

 

Vistas of Australia as glimpsed from a car window in long days of travel from the centre to the coast have been given material form by Alice Springs based designer Elliat Rich in a most unlikely object: a refined furniture piece perhaps best described as a vanity, consisting of a drawer, a jewellery box and a mirror, it has won tonight’s Australian Furniture Design Award.

 

This is a new biennial award presented by Stylecraft and JamFactory, open to Australian designers globally and to designers residing in Australia. Rich’s win has just been announced at a gala occasion in Adelaide.

 

Rich was a finalist in 2015, the award’s inaugural year. Then she took her inspiration from the Coolgardie safe, an Australian invention from the late 19th century, relying on evaporation to keep food cool. As a technology it has been long superseded but for Rich its simplicity and effectiveness represented an astute response to place, which she paid homage to in the form and lines of her Coolgardie collection – Dresser, Curio, and Screen.

 

There is some similarity of form in this year’s design, called quite simply Place, but it is less cool, more expressive.

 

The timbered drawer is richly textured and coloured, suggesting the close-up “speed-swept details” of individual trees and shrubs in all their variety. The green of the jewellery box evokes the landscape at middle distance, where forms merge, become “pattern and texture, shadow and light”. The mirror, in closed position and velvet-covered, rises like a distant mountain, with “no detail, only the collective vapour of eucalyptus leaves”.

 

The top of the jewellery box swings open to reveal small variously-sized cavities, and the mirror also rotates into position. These moving parts and their distinct contrasts in form, colour, texture all contribute to a dynamism and a sense of fun that steps away, not radically but notably, from Rich’s to-date minimalist aesthetic.

 

She is excited by the change: “It’s the first whisper of a new chapter in my work. I feel like my design voice has been awakened.”

 

There’s continuity in her interest in understanding identity through place and in recontextualising classic Australian design, but she is keen to give rein to a greater sense of playfulness and expressiveness.

 

Place was two years in the thinking, two weeks in the making (by collaborator Oscar Prieckaerts) and at just four weeks old is it has reached the pinnacle of Australian furniture design.

 

p2458 Elliat studioA delighted Rich (pictured at right in her Alice studio) will take home a purse of $20,000. Place will be acquired for the Art Gallery of South Australia and Rich will have the opportunity in a residency at the JamFactory to develop a design through to commercial production, which will then be distributed through Stylecraft’s showrooms around Australia and in Singapore.

 

 

Photos of Place by  Noel McLaughlin.

 

 

RELATED READING:

 

Young & Rich open workshop of old and new

 

Alice to Venice: a tale of two workshops

 

 

 

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3 Comments (starting with the most recent)

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  1. Posted July 6, 2017 at 2:57 pm

    Congratulations Elliat! Inspiring work as ever!

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  2. Pip McManus
    Posted July 6, 2017 at 11:20 am

    Congrats Elliat! Looks amazing. What an ambassador for the creative wealth of Alice.

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  3. Posted July 5, 2017 at 10:21 pm

    My mind hurts a little after reading this report, coming, as it’s done, hard on the heels of a major local news story of young vandals trashing a prominent car dealership. The contrast could hardly be greater – on the one hand creativity, on the other destruction; inspiration versus mindlessness, positivity against negativity.
    The symbolism encaptured by this story is more substantive than that of passing scenery which inspired this award-winning furniture design. I’m thinking of how inventive people that have come from elsewhere have drawn inspiration from their adopted home in the Centre to create works that win accolades yet for those who come from this place there is no purpose and meaning for their existence.
    I’ve witnessed this over and over – all my life, in fact. Yet few seem to realise this; and I suppose it’s hard for most to be dispassionate observers of their own participation.
    This contemplation aside, congratulations must go to Elliat Rich for her fine achievement.

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