@ R Henry: “Sadly Ray is close to the money as …

Comment on Trees on Melanka block no longer sacred? by Alex Hope.

@ R Henry:
“Sadly Ray is close to the money as more than a few projects have been held to ransom.
The final result, once sacred title was granted, was a conversion for money.”
I don’t remember any example which fits this description Mr Henry, perhaps you could provide us with some, and some pointer for where might go for confirmation?

Recent Comments by Alex Hope

Country Liberal Party: custodians ignored on gallery
Thanks to Kieran for this article, and making the point that consultation has to happen before a decision is made, the analogous process after the event is called marketing.
And thanks to Alex Nelson for pointing out the irony of white fellas having the respect for Aboriginal culture to think a national gallery is a good idea, while having no respect for the Aboriginal cultural processes involved in deciding where and what it should be.
Is is such a surprise that there is no immediate consensus amongst the local Aboriginal community about the matter? The rest of us are struggling with it too!
However a fundamental principle is that no Aboriginal person should speak on behalf of another’s country, notwithstanding that they may be a disagreement to be sorted out first about whose country it is.
If the non-Aboriginal people try to subvert that process, they can expect to get it wrong!
And lastly, on a point I have raised several times before, I still have not seen anyone come up with the name of the appropriate national Aboriginal body to give the “national” in the name of the proposed gallery any credibility.


Mparntwe custodians: Lhere Artepe does not speak for us
@ Jack, @ WB: Aren’t you both missing the point here?
If we were talking about a generic structure maybe you might be right.But a national ABORIGINAL art gallery?
Surely it has to have the support of the traditional owners to have any credibility?
What is it about NT governments?
The CLP used to divide and rule and bribe selected Aboriginal people and groups to further their political ends.
Now Labor seems to be pulling the same tricks, find a group and persuade them to support the party line, irrespective of their standing in traditional culture.
For example, I call on Alex Nelson to remind us of the story behind the Aboriginal housing between the Ilpeye Ilpeye town camp and Undoolya Rd.
I forget the details but I’m sure there was shenanigans involved.
And as I have asked before, who has the authority to put “national” next to “Aboriginal” in the name of this gallery?
Not the NT government, that’s for sure.


Gallery: Anzac Oval still the sticking point
What they said….
1.The TO’s, when last I heard, had said they want it south of The Gap; and also
2. Given this potential olive branch offered by the council by shoe-horning a gallery onto the now-desecrated whitefella heritage site of the school, why would the NT government want to spend even more of the taxpayer money we don’t have to relocate the rugby ground?
3. I still don’t get where the “national” in the name comes from. Will local Aboriginal people want to take responsibility for deciding to call such a gallery “national” without a national Aboriginal consensus? Has any effort been made to gain such approval, and if so from which national Aboriginal body with the authority to give it?


Former Anzac Hill High School: time to take stock
In the days of the CLP government of the 80’s and 90’s it was easy to believe that under a Labor government things would be different, and some pride might be taken in our heritage.
However things have fared little better under the ALP. Memorably we saw the irony of an Aboriginal minister approving the demolition of the whitefella heritage Rieff building (with the charming pressed tin verandah ceiling) on the corner of Hartley and Gregory, to enable the expansion of the Aboriginal-owned Yeperenye Centre. Was this a bit of payback for the wanton destruction of Aboriginal sacred sites around town (eg the Caterpillar tail on Barrett Drive)?
And now we have the apparent childish peevishness of “well you mob don’t want to let us build the (so called) National Aboriginal Art Gallery where we know it should go so guess what we’re going to knock down your old high school so Nyah Nyah Nyah”.
For Goodness’ sakes.
I can’t tell the difference between the CLP Drongos and the ALP ones.
It will make it hard to get out of bed on polling day…


Council cemetery: Seven years of planning, no conclusive result
It is indeed hot and barren at the Memorial Avenue cemetery, so how about building a giant shade structure over the top?
This could be two stories high and be used as, guess what, a National Aboriginal Art Gallery.
There I already lots of car parking available at the Aviation Museum and Araluen Gallery…
Oh, I forgot.
Perhaps the Aboriginal artists and their community might like to be asked where they want a gallery.
Sorry. Stupid idea. I take it back.
But only half as stupid as knocking down a 10 year old, $10m “state of the art” sustainable council chamber to build a gallery.
Though of course that would avoid any arguments about the need to heritage list the Council Chambers in future.
Oh dear oh dear, we really do live in Drongoland.


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